The Sea Faery

The Sea Faery

By Madison Julius Cawein
1865 – 1914

M J Cawein
M J Cawein

    She was strange as the orchids that blossom
And glimmer and shower their balm
And bloom on the tropical ocean,
That crystals round islands of palm:
And she sang to and beckoned and bound me
With beauty immortal and calm.

She was wild as the spirits that banner,
Auroral, the ends of the Earth,
With polar processions, that battle
With Darkness; or, breathing, give birth
To Silence; and herd from the mountains
The icebergs, gigantic of girth.

She was silver as sylphids who blend with
The morning the pearl of their cheeks:
And rosy as spirits whose tresses
Trail golden the sunset with streaks:
An opaline presence that beckoned
And spake as the sea-rapture speaks:

“Come with me! come down in the ocean!
Yea, leave this dark region with me!
Come! leave it! forget it in thunder
And roll of the infinite sea!
Come with me! No mortal bliss equals
The bliss I shall give unto thee.” . . .

And so it was then that she bound me
With witchcraft no mortal divines,
While softly with kisses she drew me,
As the moon draws a dream from the pines,
Down, down to her cavern of coral,
Where ever the sea-serpent twines.

And ever the creatures, whose shadows
Bulk huge as an isle on the sight,
Swim cloud-like and vast, without number,
Around her who leans, like a light,
And smiles at me sleeping, pale-sleeping,
Wrapped deep in her mermaiden might.

A View of History from a Science Fiction Perspective

History

We call the time before the invention of writing pre-historic—history it seems comes from writing.

Writing was first invented around six millennia ago. It appeared in China, India, Egypt and western Asia. People wrote on (in) clay, wax, wooden slats, parchment, papyrus and, eventually, paper and carved in stone. It spread across the civilized world because it was too convenient, important, to not use. Those who could read and write, or commanded those who could, controlled society.

The ability to count, record, plan and allocate allowed (mandated?) the creation of water empires in the valleys of the Nile, Tigris and Euphrates, Indus and Yellow rivers. No longer was a person’s memory and good will a limiting factor in the matter of logistics.

A great deal of our knowledge, or what we believe, of these early civilizations comes from the writings they left behind. However, this knowledge is skewed. It is knowledge dominated by religion, government and the wealthy. Little is really known about the lives of the ordinary people—ninety plus percent of the populations of these societies. And a lot of what we know of the lives of ordinary people is conjecture based on ruins and what was written about them by the upper classes, who seem to quite often despise those who were neither educated nor wealthy—although their societies would have collapsed without the labor of these “lower” classes.

What would our view of these societies be if we had a written record for them as we have for ourselves over the last two centuries?

History Unwritten

Three of history’s seminal figures: Buddha, Socrates and Jesus left no writings behind. What we know of them, or think we know of them, is based on the writings of others. Everything we “know” about these men was filtered at the very start by views, beliefs, biases and experiences of those who wrote the books. We must also take into account what these men hoped to accomplish with their writings.

Assuming that the followers of Buddha, Socrates and Jesus were good people, interested in accuracy, what were their agendas?

Is the Socrates of Plato accurate? Is the Jesus of Matthew, Mark, Luke and John accurate? Did he really exist, at least as the person shown in our current Bible? Remember, there are early books which, for one reason or another, have not been included in the Bible.

Would what we “know” of these men be different if they wrote about themselves and their beliefs? If there were contemporaneous accounts of Jesus and Buddha would they paint a picture of these men different from that portrayed by their followers—written long after their deaths?

History Destroyed

Libraries, and other storehouses of knowledge (and history), have been destroyed by flood, earthquake, fire and war. The Library of Alexandria, housing tens of thousands books, or scrolls, is one such example. Fire from the Roman civil war, from which Caesar emerged as sole ruler of Rome, destroyed parts if not all of it. Aurelian’s taking of the city while suppressing Queen Zenobia of Palmyra may have damaged it. Following the banning of paganism by Theodosius in 391, more damage and destruction. The Muslim conquest in 642 may have been the end.

However much truth there is in these accounts of the Library’s destruction, it no longer exists. What might our view of the ancient world be today if the treasures it housed were available to us?

Science Fiction and Fantasy History

Much of what happens in science-fiction and fantasy occurs in the future. In each of these stories the author has to breath some life into his (or her) world/universe. Asimov’s Foundation Series, Smith’s Lensmen, Herbert’s Dune, Weber’s Honorverse are just a few examples of created worlds whose history is us. It is after our time when these worlds diverge.

If you are interested in alternate history—our history to a certain point and them bam—there is plenty out there. Change one event, use historical trends and characters and see how the world would have turned out. America loses the Revolutionary War, the South defeats the North, aliens invade during World War II. These and many others are out there waiting to be read (and written). They all demand some type of history.

Even if you create your own universe/world from scratch you still have to give it some history to flesh it out. Very few of us can write a story that has no context.

Which brings me to Jack McDevitt. Many of his stories deal with a humanity that has spread to the stars and been there for millennia. His protagonist is Alex Benedict, an antiquarian. As an individual who deals in old and rare artifacts, Alex must deal with history.

Alex Benedict, and his “sidekick,” Chase Kolpath, hunt down various antiques and sell them for large amounts of money, generating a healthy income. There is danger, of course, as they deal in valuables and secrets. There is murder and attempted murder, but there is none of the large-scale violence and wars associated with much of science fiction. These stories are mysteries.

Alex has a copy of Churchhill’s Their Finest Hour and other valuables. Most of what happens involves history that happened after the twenty-first century. In these instances McDevitt must invent the history, the people, the events and the artifacts. But all of this future history must follow logically from our own history or else the reader will lose his ability to suspend his disbelief.

McDevitt’s ability to weave history and today and its trends into a coherent whole along with non-superhuman characters is half the charm of the stories. The other, of course, is a richly detailed future universe with interesting characters faced with a mystery or two and, occasionally, a crisis.

Today as History

In his newest book, Coming Home, Chapter Twenty-Six (Spoiler Alert), McDevitt gives us a glimpse of what Benedict’s universe has of ours and what they make of it.

  • Most poetry has disappeared but Shelly remains,
  • James Thurber’s name remains, but none of his writings,
  • Only six of Shakespeare’s plays are known, among them The Merry Wives of Windsor,
  • Only seven Hollywood films survive, among them Casablanca and Abbot and Costello Meet Frankenstein,
  • Dracula was apparently a physician,
  • Superman and Batman got their start in the twenty-fourth century.

If this, or something like it is what survives of our society, what will people make of us? How accurate will their perceptions be?

Is this kind of sampling what we have of our ancient world? Is it as accurate?

Did Ramesses defeat the Hittites at Kadesh or was he forced into retreat? Do we just believe Egyptian propaganda or are the claims of Ramesses accurate?

Were the Egyptian pyramids built by thousands of slaves or by thousands of Egyptian farmers during the seasons their land was flooded by the Nile?

Does Plato tell us of the real Socrates or just a Platonic version of him?

What of the stories of Jesus?

Do we believe that Nero and Caligula were monomanically evil because they were or are they victims of bad publicity, books written by political enemies?

 Family History

For most of my forty years of teaching in junior high I taught History. I told my students that it was the most important subject because it was the only one that told them about their family.

Where are we without our families? We are adrift in the world without an anchor. We are orphans among six billion strangers.

History teaches you about your family—the human race. You are related to everyone else whether you realize it or not. Every stranger you meet is a cousin, maybe a cousin a hundred times, or a thousand times removed, but a cousin nonetheless.

Only by realizing this, and acting on it, will we be able secure our future. No new collapse of society, no new Dark Age, no future interpretations of our lives and civilization without sufficient evidence to either praise or damn us.

As Rodgers and Edwards wrote for Sister Sledge: We Are Family. Let us treat each other as family.

History is the witness that testifies to the passing of time; it illumines reality, vitalizes memory, provides guidance in daily life and brings us tidings of antiquity.
Marcus Tullius Cicero

Storytelling – J.R.R. Tolkien and Peter Jackson

Storytelling

Goodreads has a discussion strand with some 400+ comments addressing the following question: What do you think about Peter Jackson adding a new character in The Desolation of Smaug movie?

Peter Jackson is just continuing a storyteller’s tradition.

Oral storytelling predates the telling of stories by writing them in books and filming them in movies by millennia.

A Rose
A Rose

The Iliad, The Odyssey, Beowulf and The Epic of Gilgamesh all began their lives orally. And none of them sprang into being whole cloth, that is, complete in their modern form.

One can easily envision someone (Homer?) telling about a love affair. The lovers are given names, Paris and Helen. The following evening he tells of her husband’s revenge. On another evening, in front of another family’s fire, the author makes the characters royalty, one from a kingdom across the sea. And on still another, he adds a story he heard from someone else, a jealous competition among goddesses. Over a period of years, and maybe generations, you eventually get the version we read today.

The thing about oral storytelling is that the storyteller alters his/her story depending on the reaction of the audience. You embellish the parts the audience likes and dispense with, or alter, the parts they don’t like.

Neither writers nor filmmakers go from start to finished product without editing their work. J. R. R. Tolkien didn’t do so and neither did Jackson.

I would imagine that Tolkien added in and edited out a number of characters while writing his saga of Middle Earth. (Aside from creating it in the first place.) Peter Jackson is continuing the tradition—telling a story according to his personal vision to reach those he considers his audience using his chosen medium as he sees fit.

Should the tales of Middle Earth be re-made into movies again in another generation or two, the director will change interpretations of characters according to his, or her, personal vision. That director will also add or subtract characters and change emphasis according to the audience.

And, when Frodo returns to the Shire after his adventures, will it be the Shire of Jackson or Tolkien?

We may or may not like what he did, or how he did it, but by “voicing” our opinions we are continuing the age-old practice of criticism.

If you don’t like Peter Jackson’s interpretation of Tolkien, aren’t you still happy he made the film rather than not? Would we be better off having no film version of Middle Earth, other than the animated tales? Or, think about it this way, if not Jackson then who? Woody Allen? Martin Scorsese? Oliver Stone? Kevin Costner? Ridley Scott? David Lynch? Quentin Tarantino? Lynne Ramsay? Ang Lee? Who?

Personally, I like the addition. A bright, good-looking, kick-ass redhead is an asset to any action movie.

The Instrumentalities of the Night

Several different Mediterranean eras are portrayed in the stories. In the East you have Mamluk Egypt with Saladin and Syria as separate powers. The Byzantine Empire still exists and there is danger from the peoples of the Eurasian steppes, Huns/Tatars/Mongols. In the West you have the Reconquista and the GrTyranny of the Nighteat Schism of the Catholic Church. The Holy Roman Empire is attempting to dominate Italy and the Papacy. The Italian mercantile republics are trying to maintain their independence and influence and the Papacy is attempting to reunite the Church and stamp out heretics in France and, of course, destroy the Muslim powers and recover the Holy Land. This is all complicated by politics, family politics, dynastic politics and a coming ice age.

The Instrumentalities of the Night is, currently, a trilogy (The Tyranny of the Night, Lord of the Silent Kingdom and Surrender to the Will of the Night, and TBA Working the Gods’ Mischief) by Glen Cook. The story revolves around one Piper Hecht (Else Tage) in a pre-Renaissance Medieval Mediterranean world where God(s), devils and all other supernatural creatures exist, or can exist. And, as Piper has discovered, can be killed.

A major obstacle to understanding precisely what is happening is the lack of a defined geography. If one has a basic understanding of the medieval Mediterranean world, the major regions are fairly easy to pick out:

Dreanger – Egypt
Al-Qarn – Cairo
Lucidia – Syria
Holy Lands – Palestine
Calzir – North Africa/Barbary coast

Eastern Empire/Rhun – Byzantine Empire
Andoray – Norway/Scandinavia
Grail Empire/New Brothen Empire – Holy Roman Empire/Germany
Santerin – England
Direcia – Spain
Platadura – Barcelona/Spain
Navaya – Northern Spain
Artecipia – Corsica/Sardinia (a single island, connected by an isthmus, because of lower sea levels)
Shippen – Sicily
Arnhand – France
Khaurene – France/Toulouse
Viscesment – France/Avignon
Firaldia – Italy
Brothe – Rome/Papal States
Sonsa – Genoa: “The west coast of Firaldia, approaching Sonsa from the south, was the most heavily settled rural land Else had ever seen.”
Aparion – Venice
Dateon – Pisa

While I might have some of these wrong, as I am now re-reading the series, I believe that it is, for the most part, correct. One must also realize that the Mother Sea (Mediterranean Sea) is land locked. The Escarp Gibr al-Tar cuts it off from Ocean (the Atlantic Ocean). The surface of the Mother Sea is several hundred feet below what we would expect. Because of this it is far less extensive than the Mediterranean Sea and the European, Asian and African coastlines extend quite a bit farther than we would otherwise expect. Hundreds, if not thousands, of cities with millions of people exist in areas our Mediterranean Sea would would cover in salt water.Lord of the Silent Kingdom

If you lack a background on the Mediterranean world at this time, and would like some easily readable background, you might try Will and Ariel Durant’s The Story of Civilization series. (Yes, I know there are a lot of books, I own a set, and it’s fifteen million pages long, but each volume has an index and the writing is for the layperson not a dedicated historian.) It will give you a background for all of the “history” in Instrumentalities. For the character and motivations of Sublime V and the other Patriarchs try Barbara Tuchman‘s The March of Folly (the chapter on the Renaissance popes).

In terms of groups of people you have:

Chaldereans – Catholics/Christians
Maysaleans – Chalderean heretics (Albigensians/Cathari)
Pramans – Muslims
Dainshaukins – Jews (Orthodox)
Devedians – Jews
Hu’n-tai At – Huns/Tatars/Mongols

And all of the various nationalities and sub-groups.

In terms of individuals there are dozens of characters with unusual names to learn. A half dozen storylines are active at any given moment and succeeding chapters interweave among them. None of the characters is perfect, including Brother Candle; each has his own virtues, faults and past. Their characters are reminiscent of those in the Black Company books. Moral ambiguity is everywhere; survive at all costs.

Characters

Piper Hecht/Else Tage – Protagonist – Praman captain/soldier (Sha-lug – Mamluk/Janissary)
Anna Mozilla – Piper’s lover/mistress
Pella, Vali and Lila – Piper’s “adopted” children
Muniero Delari – Piper’s grandfather/Eleventh Unknown/Sorcerer
Cloven Februaren – Muniero’s grandfather/Ninth Unknown/Sorcerer
Heris – Piper’s sister
Grade Drocker – Brotherhood of War/Piper’s father

Redfearn Bechter – Brotherhood of War/Piper’s aide
Pinkus Ghort – Mercenary/Commander of Brothen City Regiment
Titus Consent – Deve/Piper’s intelligence director

Johannes Blackboots Ege – Emperor
Lothar – Johannes’ son and heir
Katrin – Lothar’s half-sister/second in line
Helspeth – Lothar’s and Katrin’s half-sister/third in line
Ferris Renfrow – Imperial Intelligence
Algres Drear – Imperial commander and bodyguard

Gordimer the Lion – Sha-lug ruler of Dreanger/Egypt
Er Rashal (the Rascal) al-Dhulquarnen – Sorcerer
Osa Stile/Armand – Sha-lug/Spy
Al-Azer er-Selim – Sha-lug
Nassim Alizarin al-Jebal – the Mountain

Sublime V – Brothen Chalderean Patriarch

Brother Candle – Maysalean Perfect

Starkden – Sorceress
Masant al-Seyhan – Sorcerer
Rudenes Schneidel – Sorcerer
Grimur Grimmsson/Shagot the Bastard – Andorayan sturlanger/viking
Asgrimmur Grimmsson/Svavar – Grimur’s younger brother

 Surrender to the Will of the NightThere are literally scores of other major and minor characters in the story; as I get the time and inclination I’ll add to the above lists. I’ve just finished re-reading the three books and hope number four comes out before I have to re-read them again. If you find something wrong (please, page and quote for evidence) or would like to add to the above, let me know.

 Oh, yeah. I enjoyed The Black Company and Darkwar books. I’m waiting for A Pitiless Rain and Port of Shadows. But, what I’d most like is a sequel to The Dragon Never Sleeps; hands down, this is my favorite Glen Cook book.

 6.1.2013

The Liaden Universe – Great Science Fiction

The Liaden Universe

Years ago I read a book entitled Agent of Change, written by Sharon Lee and Steve Miller. It was a good story but, for some reason or other, I never read another of their stories – until a couple of months ago.

SaltationWhile browsing through Barnes and Noble at Metro Pointe in Costa Mesa, California, I happened on Ghost Ship and purchased it. Big mistake. I enjoyed the heck out of it and found that it was at the tail end of a series of stories – the Liaden Universe. I then bought the two books preceding it, Fledgling and Saltation; read them, re-read Ghost Ship and got Dragon Ship (in hardcover).

These books deal with the teenage and early adult years of Theo Waitley, daughter of Jen Sar Kiladi, a professor of cultural genetics, and Kamele Waitley, a professor of educational history.

Theo Waitley lives on Delgado at the University and her education revolves around being groomed to follow in her mother’s academic footsteps. She is, however, a bit of a misfit; she is “physically challenged” and grouped in a team whose members all seem to have a different problem.

Jen Sar Kiladi is a phantom with a past and Kamele is both bright and more adaptable to circumstance than seems at first. No, I will give no more hints and spoil no more surprises.

These four books (Fledgling, Saltation, Ghost Ship and Dragon Ship) are Theo’s coming of age story. I enjoyed each story and recommend that you read them in the above order, i.e., chronologically. And, I impatiently await the next story.

Dragon ShipAt the beginning of each book is a list of other stories by these authors published by Baen Books. And, having enjoyed Theo’s story, I wanted to see what else they had written. I didn’t recognize any of the titles so I went to the Internet to see what was there. I found korval.com. There were a dozen published novels in the Liaden series and, although they were not written in chronological order, there was an “Internal Chronology” list.

The Agent GambitAs a general rule I buy older books at used book stores; why buy a new copy of a book first published twenty years ago? Well, I was hungry; I wanted to read the entire series NOW. Ergo, Amazon.com. The Crystal Variation, The Agent Gambit, Korval’s Game and The Dragon Variation. These are omnibus editions of previously published novels and, if read according to the internal chronology, tell a single coherent story. You’ll also “need” to buy Mouse and Dragon and read it after you read Scout’s Progress; these two books tell the story of Theo’s father.

When my package from Amazon arrived with all of the above, I dove into The Crystal Variation, the story of Cantra yos’Phelium and the founding of Liad and Clan Korval. Three days later, remember I am retired and have a lot of time to read, I began The Agent Gambit.

The first story was Agent of Change; hmmm, this seems familiar. When I got to Chapter Five and the Korval's GameClutch Turtles, AHA! Now I remember. How had I missed reading these stories over the last twenty years (A couple of days later I found my original copy of Agent of Change in our garage library.)? Oh well, no matter, I now had all of the stories and the time to indulge myself. I proceeded to do so and over the course of the next ten days finished the series, including Necessity’s Child.

What next for Edger, Theo and Bechimo, Miri and Val Con, Kamele and Aelliana? Guess I’ll have to wait.

Sharon and Steve, please, hurry.

Time to get the short stories.

Necessity's ChildPS – If you’d like to get started on the cheap, visit baenebooks.com. Click on the Free Library link and you can read Agent of Change and Fledgling for free on your computer or download a copy. Be warned, however, they really aren’t free – you’ll end up buying other books in the Liaden series. 

5.11.2013